نوع مقاله : علمی ـ پژوهشی
نویسنده
دانشیار گروه پژوهش هنر دانشکده هنر دانشگاه سمنان
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
The main goal of this article is to explain the relationship between art and theology, shedding light on the ways art serves or betrays theology from Deleuze’s perspective. How does Deleuze believe art betrays theology? By identifying the compositional plan in artistic works, the type of theology and its connection to religious arts become clear. Using a descriptive-analytical method, Deleuze’s views are examined in depth.
The study concludes that depending on the plan of composition, the transcendent nature of theology may be revealed, concealed, or abandoned. In certain Christian art from the Middle Ages, icons are tied to transcendence. The projection of transcendence fills the compositional plan. In Catholic artistic tendencies, transcendence is abandoned, and distance emerges between Christian icons. Artists create artistic images based on an aesthetic plan of composition. This aesthetic plan of composition, through the atheistic power of lines and colors, embeds a core of disbelief and, in the name of God, cover aesthetics with heavenly, earthly, and paradisiacal emotions. Through fantasy, the more intensely an artist represents violence and punishment, the greater their moral permits in the name of God. Ultimately, contrary to its religious subject matter, that means atheism—thus, betrayal.
کلیدواژهها [English]
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